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| More Polka Dots - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 47 X 47 in. Also editioned at 58X58 in. |
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| Tulum Bathers - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 36 X 36 in. |
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| Color Sequence Over Sunbathers - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 19 X 20 in. Also editioned at 41X43 in. |
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| Holding Still - Edition of 7
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| not specified |
| 23 X 72 in. |
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| Sun Tanning with Polka Dots - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 47 X 70 in. |
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| More Days Without You, but With Polka Dots - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 47 X 70 in. |
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| Losing Track of Time in a World Gone to Polka Dots
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| archival inkjet print facemounted to acrylic |
| 47 X 47 in. Edition of 7. |
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| Looking Out Over a Sea with Polka Dots
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| archival inkjet print facemounted to acrylic |
| 36 X 36 in. Edition of 7. |
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| Red Bather with Polka Dots - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 36 X 36 in. |
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| Waiting For It, 2009 - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 42 X 60 in. |
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| Jumping Into It - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 40 X 20 in. |
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| More Childhood Memories - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 25 X 64 in. Also editioned at 34X88 in. |
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| Another Dream - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 20 X 20 in. Also editioned at 43X43, 58X58 in. |
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| Going Back - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 16 X 88 in. |
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| Just Enough - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 41 X 43 in. |
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| Breaking Out - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 43 X 53 in. Also editioned at 58X72, 72X88 in. |
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| Young and Free - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 25 X 64 in. Also editioned at 34X88 in. |
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| Slipping Away - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 19 X 20 in. Also editioned at 41X43, 55X58 in. |
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| Finding A New Way - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 19 X 20 in. Also editioned at 41X43, 55X58 in. |
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| Morning Hours, II
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| archival inkjet print facemounted to acrylic |
| 30 X 60.5 in. |
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| Morning Hours, Amalfi - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 23 X 36 in. |
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| A Lover's Dream of Twilight - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 23 X 60 in. Also editioned at 33X88 in. |
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| Versailles Gardens II - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 20 X 20 in. Also editioned at 43X43 in. |
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| Versailles Gardens - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 20 X 20 in. Also editioned at 43X43 in. |
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| Budapest Bathers 3 - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 40 X 50 in. Also editioned at 58X72.5 in. |
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| Budapest Bathers 2 - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 40 X 50 in. Also editioned at 58X72.5 in. |
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| Budapest Bath House - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 25 X 64 in. Also editioned at 34X84 in. |
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| St. Mark's Square - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 43 X 43.5 in. Also editioned at 58X58 in. |
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| St. Mark's Getting Lost in the Crowd - Edition of 7
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| archival inkjet print facemounted to acrylic |
| 19 X 20 in. |
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| St. Mark's Dome with Venice Background - Edition of 4
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| archival inkjet print facemounted to acrylic |
| 55 X 58 in. |
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Joshua Jensen-Nagle
For over a decade, Joshua Jensen-Nagle has captivated the viewer with his evocative photographs and singular aesthetic. Best known for his dreamy large-scale beaches and romantic European vistas, Jensen-Nagle’s photographs of faraway places impart a nostalgic mood on the viewer.
“My work over the past several years has explored the use of photography as a medium to create. Whether it is SX-70 Polaroid, photographic prints painted and then re-photographed, or shooting with the latest digital technology, I understand photography as a means to create rather than to document a reality, allowing the viewer to bring their own associations to the work.”
Joshua bases his successful full-time art practice in Toronto, and has become a prominent fixture in the arts community. Having mounted over fifty exhibitions in the last 12 years, he has developed a strong standing in the art world, and is collected widely throughout North America and Europe.
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