EL ZODÍACO FAMILIAR | Docent Tours

George Rodriguez's collaborative exhibition El Zodíaco Familiar is on view now through October 24 at Whatcom Museum's Lightcatcher building in Bellingham, WA.
The Museum is offering docent-led tours of the exhibition...
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Robert Marchessault | Chateau Ste Michelle

Chateau Ste Michelle's most recent Artist Series wine will be released later this month, featuring the work of Robert Marchessault.
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Seattle Deconstructed Art Fair 2021

Back by popular demand, the Seattle Deconstructed Art Fair (SDAF) returns for the month of August, celebrating the resilience of visual arts in Seattle with over 40 galleries, art institutions and non-profit organizations participating in this month-long event.

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PAUL VEXLER INSTALLATION AT WSU TRI-CITIES

Paul Vexler's newest installation, Ribbon Writing, is now complete at Washington State University TriCities, Richland. In partnership with Washington State University, this piece was acquired by the Washington State Art Collection.
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JEFFREY MILSTEIN | FEATURES & UPDATES

Photographer Jeffrey Milstein's newest book, Paris from the Air, was recently featured in Caviar Affair Magazine's Summer Issue. A collection of his series of Parisian aerials captures a perspective of the city of light not granted to a photographer in over 50 years.
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GEORGE RODRIGUEZ: EL ZODIACO FAMILIAR | WHATCOM MUSEUM

GEORGE RODRIGUEZ: EL ZODIACO FAMILIAR | WHATCOM MUSEUM

Having introduced his first Mexican Zodiac series in 2018, sculptor George Rodriguez has recently collaborated with 13 Mexican and Chicanx/Chicane artists on his newest iteration of these forms, El Zodíaco Familiar. The series will be the focus of Rodriguez’s upcoming exhibition at Whatcom Museum in Bellingham, WA, opening June 19, 2021. Each animal represents a sign in the zodiac, and replaces an animal of the traditional Chinese zodiac. And, each animal will feature finishes by a different artist.

 

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June + July 2021 | Alden Mason | A Teacher's Legacy

June + July 2021 | Alden Mason | A Teacher's Legacy

Comprised of artwork made in his classes at the University of Washington where he taught for 30 years, the student selections includes work in a variety of media that was kept to be used as examples in future classes. Mason was an inspiration and mentor to many of his students.

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ALDEN MASON: FLY YOUR OWN THING | BELLEVUE ARTS MUSEUM

ALDEN MASON: FLY YOUR OWN THING | BELLEVUE ARTS MUSEUM

Alden Mason’s first comprehensive museum exhibition Alden Mason: Fly Your Own Thing is now on view at Bellevue Arts Museum. Organized by the Museum in partnership with the Alden Mason Foundation, Fly Your Own Thing offers a clear overview of Mason’s diverse body of work.

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Shar Coulson | ARTIST INTERVIEW

Shar Coulson | ARTIST INTERVIEW

"As it is with most artists I developed my process through years of experimentation. I narrowed it down to mediums that best produce the translucent layers and weathered textures that mimic the delicate, organic physical forms found in nature."

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Guy Laramée | In Conversation

Guy Laramée | In Conversation

"I opted for this "erosion of culture" idiom when I started this line of book work, because I thought it was a good way to connect with our collective preoccupations in the beginning of the 21st century. But it was obvious from the start that my paintings didn’t fit into that frame."

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MARCH AT FOSTER/WHITE | TONY ANGELL

MARCH AT FOSTER/WHITE | TONY ANGELL

Avian conservator and artist Tony Angell’s approach to art making has always centered around revealing not just the anatomical attributes of his subjects, but their unique characteristics, and temperaments.

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SHAWN HUCKINS | ARTIST INTERVIEW

SHAWN HUCKINS | ARTIST INTERVIEW

One of the great things about the internet and digital cataloging of pre-computer era art objects is that it preserves their original purpose and importance. I feel it in no way hinders the legacies of those objects, as more people can access the work and learn about their histories.  It’s only when someone (an artist, for example) uses the work to manipulate those paintings to make a current day statement on the fragility of legacy.

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