Opening December 2, 2021
Opening on December 2, 2021 at Foster/White Gallery, Bonifacho’s most recent explorations continue to utilize his visual language, one that was achieved over many years of honing his stylistic approach. The grids and squares within much of his work provide the grounding and comfort needed as one unfolds the abstract quality of his concepts. Asked to speak on his artwork, the artist answers it is all in the work. And therein lies the code to deciphering the trajectory of Bonifacho’s paintings.
Clear linear progression this is not; Bonifacho has never limited his explorations in paint. Early on in his career his paintings were highly evocative, highlighting the influence of Abstract Expressionism on his work, albeit decades later. American flags and cans of coca cola, recognizable elements of popular culture were coupled with painterly fields of color and geometric abstractions. These elements give an overarching sense of sardonic irony that hides instead of reveals the artist’s voice.
Color became a resting point between thoughts, a unifying element between disparate expressions, a dynamic and sometimes explosive portrayal of the artist’s movement away from past towards future. Language, both the visual structure and impact of, is a striking component in much of Bonifacho’s work of the past three decades. Varying from readable to almost hieroglyphic in nature, the resonance of these works is another manifestation of Bonifacho’s confidence as a painter.
Bratsa Bonifacho holds a Bachelor of Fine Arts from the University of Arts Belgrade, Serbia, and a Bachelor of Architecture from the University of Belgrade School of Architecture, Belgrade, Serbia. Bonifacho's paintings have been shown extensively across the world including solo exhibitions in Poland, Germany, China, the United Kingdom, and Serbia. He has had dozens of exhibitions across North America, and his work has been shown at Whatcom Museum, Bellingham, WA; Richmond Art Gallery, Richmond, BC; Anchorage Museum of History and Art, Anchorage, AK to name a few, and of course, frequently in Seattle at Foster/White Gallery. He has His work is held in many private, corporate and permanent museum collections across the world including the Canadian Embassy in Argentina, the Museum of Modern Art, Serbia, the National Museum of Serbia and JP Morgan Asia, Tokyo, Japan.