EVA ISAKSEN | FAR NORTH

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EVA ISAKSEN | FAR NORTH

Eva Isaksen

Eva Isaksen works in a variety of media, most frequently collage, acrylic inks, graphite, and monotypes. Recent explorations have pushed the collage style she is most known for into a more graphic, abstracted realm, using a range of soft neutrals and warm blacks, as well as controlled hints of highly saturated colors. She has also recently used source materials from her native Norway - vintage clippings from publications and texts. Everything Isaksen does is woven with her recognizable sensibility, while she continues to explore new realities within her work.

Eva Isaksen holds an MFA in Painting from Montana State University, Bozeman, MT, as well as a BFA from the University of South Dakota, Vermillion, SD. Isaksen studied at the Nordland School of Arts and Crafts, Narvik, Norway. Her artwork has been exhibited internationally, including at Galleri G. Guddal, Rosendal, Norway; Galleri Bodøgaard, Bodø, Norway; Whatcom Museum, Bellingham, WA; US Embassy, Brussels, Belgium; and Museo de los Pintores Oaxaquenos, Oaxaca, Mexico. Isaksen has also shown her work extensively across North America, received dozens of awards and public art commissions, and was a founder of Seattle Print Arts, Seattle, WA. She has participated in artist residencies across the world, most recently at Tare Steigen Air, Tare Art Center, Steigen, Norway and at Ballinglen Arts Foundation, Bally, Ireland. Her work is part of dozens of private, public, and corporate collections including those of the Boeing Corporate Headquarters, Chicago, IL; Hilton Hotel, Seattle, WA; Seibu Department Stores, Funabashi, Shizoka Higashi, Totsuka, Japan; Goldman Sachs, New York, NY, and the United States Embassy in Riga, Latvia.

From my studio, I look out onto my garden. In the summer months it explodes with color, a constant wonder and inspiration. My work has often grown from the abundance of color I see there.

In this recent series, it is not only color that informs my work. It is still the garden that inspires, as it lays dormant in winter. I have been studying the lines of plants as they die back and wait for the next growing season; muted earthy tones of gray and beige; seed pods on fragile dried stems; fragmented lines and sparse gestures.

These observations serve as a starting point rather than a subject to be depicted. I borrow the lines and develop them into complex drawings on canvas. Lines are layered, intersecting and generating new lines, — unexpected drawings surprise me as they emerge. Chaos and order coexist.

The thin papers I use are printed, painted and drawn on, then cut, rearranged and collaged onto canvas. By following what unfolds organically, the work gradually becomes its own universe with its own language.

In a very unsettling and turmoiled world, my art practice is my solace.