Exhibitions

ALDEN MASON | A TEACHER'S LEGACY

On view now at Foster/White Gallery is a selection of work by students of Mason's during his 32 year tenure at the University of Washington. The works reflect the types of assignments and exercises he gave to his students, as well as Mason's singular approach in imparting his artistic knowledge, ease, and processes. Proceeds from the sale of these reasonably priced pieces will be used by the Alden Mason Foundation to establish a scholarship for Fine Arts Students at the University of Washington.
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DAVID ALEXANDER | SECOND TIME AROUND THE COASTLINE

Water is a recurring character in the artwork of painter David Alexander. Often mirroring his abstracted landscapes with reflections, Alexander invites us to keep our eyes on the surface of the water he depicts. Some paintings feel like he has completely shortened his depth of field until we are right upon the organic moment he is sharing. Finding nuance and contrast in light and landscape, Alexander’s emotive renderings of natural places fill the two dimensional surfaces of each canvas with intrigue; marks made not only tell a story of place, but also capture the hand of the artist.

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MARK REDISKE | LEVI TENENTE

Mark Rediske's artwork is uniquely born of a complex process. It exudes a powerful yet quiet presence, a timelessness and organic quality. Often referencing mythical or ancient civilizations and geographic points, Rediske highlights our collective narrative and shared connection to the natural world. In this body of work Rediske explores a return to light, both figuratively and literally.

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CASEY McGLYNN | LANDING IN THE CROW'S NEST

In this body of work, Landing in the Crow's Nest, McGlynn's starting point was the idea of returning to or finding home, landing in a place of healing. In this case, The Crow's Nest refers to McGlynn's new studio in Sault Ste. Marie, Canada. The title piece, imaged above, depicts the artist's mother's house, and above the compartmentalized structure, perches a bird. There is a sense that from its vantage point, the bird has landed, calmly, in a place of its choosing. 

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TONY ANGELL | OF TIME AND PLACE

Avian conservator and artist Tony Angell’s approach to art making has always centered around revealing not just the anatomical attributes of his subjects, but their unique characteristics, temperaments, and even the mood of the creatures he depicts. With this body of work, Of Time and Place, Angell takes it a step further, telling a complete story of a moment, allowing viewers to truly see beyond the creature into the a full narrative.

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