Exhibitions

Eva Isaksen’s newest body of work carries a deep sense of gravitas, a level of self-assurance communicated through the simplification of the abstract. Continuing her explorations in collage, Isaksen incorporates physical elements of significance from her life; personal textiles, letters, and clippings of favorite texts are layered within steady forms and a sophisticated palette. Describing the works as reflecting her search for the unknown, there is yet a grounded calm in her quest.

Tom Burrows’ resin pieces are laboriously created through a unique and highly variable process. Burrows’ artistic career has included a myriad of explorations in sculptural materials, ranging from performative, site-specific installation work to two-dimensional pieces. Often with an element of research focused on social issues such as homelessness and housing, he has been a significant part of the arts community of British Columbia since the early 1960s. 

Achieving warmth and softness with unforgiving stone, Will Robinson breathes life into each of his pieces, revealing the innate qualities of the natural medium he works with. His sculptures are as much about discovery as they are reflections of the artist’s intuition. 

Painter Robert Marchessault has long been inspired by the resilience of trees, but in 2020, their fortitude took on a new level of meaning. As we globally faced the rise of one of the most devastating pandemics of modern time, Marchessault turned again to subjects that represent adaptation in the face of struggle, growth amid challenge, and longevity against all odds. The trees he has painted for his new exhibition Grow / Re-Grow are striking reminders of the perseverance not only of the living things he so poetically renders, but of our own.

Water is a recurring character in the artwork of painter David Alexander. Often mirroring his abstracted landscapes with reflections, Alexander invites us to keep our eyes on the surface of the water he depicts. Some paintings feel like he has completely shortened his depth of field until we are right upon the organic moment he is sharing. Finding nuance and contrast in light and landscape, Alexander’s emotive renderings of natural places fill the two dimensional surfaces of each canvas with intrigue; marks made not only tell a story of place, but also capture the hand of the artist.

In this body of work, Landing in the Crow's Nest, McGlynn's starting point was the idea of returning to or finding home, landing in a place of healing. In this case, The Crow's Nest refers to McGlynn's new studio in Sault Ste. Marie, Canada. The title piece, imaged above, depicts the artist's mother's house, and above the compartmentalized structure, perches a bird. There is a sense that from its vantage point, the bird has landed, calmly, in a place of its choosing. 

Avian conservator and artist Tony Angell’s approach to art making has always centered around revealing not just the anatomical attributes of his subjects, but their unique characteristics, temperaments, and even the mood of the creatures he depicts. With this body of work, Of Time and Place, Angell takes it a step further, telling a complete story of a moment, allowing viewers to truly see beyond the creature into the a full narrative.